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<channel>
	<title>Sofía Clausse</title>
	<link>https://sofiaclausse.com</link>
	<description>Sofía Clausse</description>
	<pubDate>Sun, 18 Feb 2024 15:56:18 +0000</pubDate>
	<generator>https://sofiaclausse.com</generator>
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	<item>
		<title>Diagrams</title>
				
		<link>https://sofiaclausse.com/Diagrams</link>

		<pubDate>Sun, 18 Feb 2024 15:56:18 +0000</pubDate>

		<dc:creator>Sofía Clausse</dc:creator>

		<guid isPermaLink="true">https://sofiaclausse.com/Diagrams</guid>

		<description>Softwater, 2023.&#60;img width="2700" height="1909" width_o="2700" height_o="1909" data-src="https://freight.cargo.site/t/original/i/9b2499c4aaaada8ab5ffa2ad775285ff1033641117a4d07e54db8f577556dc3a/Sofia-Clausse-Soft-Water.png" data-mid="204903663" border="0"  src="https://freight.cargo.site/w/1000/i/9b2499c4aaaada8ab5ffa2ad775285ff1033641117a4d07e54db8f577556dc3a/Sofia-Clausse-Soft-Water.png" /&#62;


Forms of process of thoughtlines, 2022.
&#60;img width="2374" height="2207" width_o="2374" height_o="2207" data-src="https://freight.cargo.site/t/original/i/7366578ae47e4b30782168f0bde6fb8844ebab60a9490459549ad0d4f1dbc4ef/Sofia-Clausse-Thought-Form.png" data-mid="204904587" border="0"  src="https://freight.cargo.site/w/1000/i/7366578ae47e4b30782168f0bde6fb8844ebab60a9490459549ad0d4f1dbc4ef/Sofia-Clausse-Thought-Form.png" /&#62;


Labyrinth Constellation, 2020.
&#60;img width="2496" height="1600" width_o="2496" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6a0f1b5a9b8700bfe1e8088bb2d5e3504aa9aa4e6e9a471fe8a0fb0223ac62f4/Sofia-Clausse-Labyrinth-Constellations.png" data-mid="204904916" border="0"  src="https://freight.cargo.site/w/1000/i/6a0f1b5a9b8700bfe1e8088bb2d5e3504aa9aa4e6e9a471fe8a0fb0223ac62f4/Sofia-Clausse-Labyrinth-Constellations.png" /&#62;


At the Intersection Of, 2020.&#60;img width="2846" height="1600" width_o="2846" height_o="1600" data-src="https://freight.cargo.site/t/original/i/bdd886873de01a007a30d46c25f4721553bcaeb0e4e5d3d5eddaa1fc6c53e91b/Sofia-Clausse-Intersection.png" data-mid="204904946" border="0"  src="https://freight.cargo.site/w/1000/i/bdd886873de01a007a30d46c25f4721553bcaeb0e4e5d3d5eddaa1fc6c53e91b/Sofia-Clausse-Intersection.png" /&#62;


A Spell, 2019.
&#60;img width="2846" height="1600" width_o="2846" height_o="1600" data-src="https://freight.cargo.site/t/original/i/d10afc82b146d1c48a37b4502194a00d24c7051d5f3f93b3129de79c5de90882/Sofia-Clausse-Spells.png" data-mid="204904963" border="0"  src="https://freight.cargo.site/w/1000/i/d10afc82b146d1c48a37b4502194a00d24c7051d5f3f93b3129de79c5de90882/Sofia-Clausse-Spells.png" /&#62;</description>
		
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	<item>
		<title>Works</title>
				
		<link>https://sofiaclausse.com/Works</link>

		<pubDate>Mon, 31 Aug 2020 15:03:04 +0000</pubDate>

		<dc:creator>Sofía Clausse</dc:creator>

		<guid isPermaLink="true">https://sofiaclausse.com/Works</guid>

		<description>&#60;img width="4000" height="2500" width_o="4000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/cb968f9914e9449ea4b322b369e057cfdfbc7ab23c8dc921221d9b920b163434/Sofia-Clausse_Sands-Hourglass.jpg" data-mid="246648021" border="0"  src="https://freight.cargo.site/w/1000/i/cb968f9914e9449ea4b322b369e057cfdfbc7ab23c8dc921221d9b920b163434/Sofia-Clausse_Sands-Hourglass.jpg" /&#62;
Sketch for Sands, 2026.
Acrylic on newsprint paper weaving.
29 x 42 cm
&#60;img width="6400" height="4000" width_o="6400" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f68c6da48168c4601806892e33b278105167de697cf3955e646b9e60c8a0424e/Sofia-Clausse---Sun-Timer.jpg" data-mid="205948994" border="0"  src="https://freight.cargo.site/w/1000/i/f68c6da48168c4601806892e33b278105167de697cf3955e646b9e60c8a0424e/Sofia-Clausse---Sun-Timer.jpg" /&#62;Sun timer, 2024.Acrylic on newsprint bleached with the sun.100 x 73 cm
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/5d03e963a3b249fa1aa315ccd0472d6f37951b0d5da3e18711f568d01b32ba3e/Sofia-Clausse-Tiempo-SoyYos-Keys.jpg" data-mid="118443022" border="0"  src="https://freight.cargo.site/w/1000/i/5d03e963a3b249fa1aa315ccd0472d6f37951b0d5da3e18711f568d01b32ba3e/Sofia-Clausse-Tiempo-SoyYos-Keys.jpg" /&#62;Tiempo and Soy Yos keys, 2021Glazed terracotta25 x 5 cm each
&#60;img width="2272" height="1500" width_o="2272" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3ea32271e3f03e0f84a3a7caff8e4b4381b9b78c31854bd5d20a998a20f7e36c/Sofia-Clausse---Blue-on-Blue-on-Blue.jpg" data-mid="168747782" border="0"  src="https://freight.cargo.site/w/1000/i/3ea32271e3f03e0f84a3a7caff8e4b4381b9b78c31854bd5d20a998a20f7e36c/Sofia-Clausse---Blue-on-Blue-on-Blue.jpg" /&#62;
&#60;img width="2380" height="1681" width_o="2380" height_o="1681" data-src="https://freight.cargo.site/t/original/i/0f250da336e2834766594a78b79de0c57a9ccc2f41179e2a0d70e5a9e9eb49dd/Sofia-Clausse-Blue-on-Blue-on-Blue---detail.jpg" data-mid="168747793" border="0"  src="https://freight.cargo.site/w/1000/i/0f250da336e2834766594a78b79de0c57a9ccc2f41179e2a0d70e5a9e9eb49dd/Sofia-Clausse-Blue-on-Blue-on-Blue---detail.jpg" /&#62;Blue on Blue on Blue, 2023.Acrylic on canvas110 x 90 cm
&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/b1f90958a27612fe6259bfde2cb40786cded5c1384ba730eff74c9f707bfd573/Sofia-Clausse-RA-Schools-01.jpg" data-mid="146283507" border="0"  src="https://freight.cargo.site/w/1000/i/b1f90958a27612fe6259bfde2cb40786cded5c1384ba730eff74c9f707bfd573/Sofia-Clausse-RA-Schools-01.jpg" /&#62;RA Schools Show, 2022.Forms of process of thought lines, wall painting.


&#60;img width="2272" height="1500" width_o="2272" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b4a747879102d37eda6f6e2c2880383d91ed5e526bba77ee0f63d93b27eca95c/Sofia-Clausse-TheStar.jpg" data-mid="118443419" border="0"  src="https://freight.cargo.site/w/1000/i/b4a747879102d37eda6f6e2c2880383d91ed5e526bba77ee0f63d93b27eca95c/Sofia-Clausse-TheStar.jpg" /&#62;XVII THE STAR, 2021Acrylic on paper and collage125 x 74 cm


&#60;img width="3748" height="2181" width_o="3748" height_o="2181" data-src="https://freight.cargo.site/t/original/i/4073e233e8cb00609f92aba613d595d4aace0d7d6765988f2f5253ec785414f2/Sofia-Clausse-Weaving-Glitch.jpg" data-mid="218467027" border="0"  src="https://freight.cargo.site/w/1000/i/4073e233e8cb00609f92aba613d595d4aace0d7d6765988f2f5253ec785414f2/Sofia-Clausse-Weaving-Glitch.jpg" /&#62;"Deep Down" and "All In", 2024.
[Weaving Text Glitch]Acrylic on paper57 x 42 cm each
&#60;img width="5608" height="3470" width_o="5608" height_o="3470" data-src="https://freight.cargo.site/t/original/i/930ed208336c2f080fd09a91e34d52e42911311b450ebdfd18b99ebca6c8678c/Sofia-Clausse-Infiniptych.jpg" data-mid="207476387" border="0"  src="https://freight.cargo.site/w/1000/i/930ed208336c2f080fd09a91e34d52e42911311b450ebdfd18b99ebca6c8678c/Sofia-Clausse-Infiniptych.jpg" /&#62;Blue Infiniptych, 2023-2024.Acrylic on canvas110 x 80 cm each

&#60;img width="6384" height="3619" width_o="6384" height_o="3619" data-src="https://freight.cargo.site/t/original/i/d84a59cf37ee244e864f20dbf893c9e32c7fce4b9915b2dc0d0d31c29142f977/Sofia-Clausse---Towards-the-Bluest-Within---0.jpg" data-mid="206181740" border="0"  src="https://freight.cargo.site/w/1000/i/d84a59cf37ee244e864f20dbf893c9e32c7fce4b9915b2dc0d0d31c29142f977/Sofia-Clausse---Towards-the-Bluest-Within---0.jpg" /&#62;
&#60;img width="5543" height="3695" width_o="5543" height_o="3695" data-src="https://freight.cargo.site/t/original/i/b36c491fa827526fff95e77863fd9fb6a9de5e5c600990fea63031f97fb37ec8/Sofia-Clausse---Towards-the-Bluest-Within---Detail-2.jpg" data-mid="207476764" border="0"  src="https://freight.cargo.site/w/1000/i/b36c491fa827526fff95e77863fd9fb6a9de5e5c600990fea63031f97fb37ec8/Sofia-Clausse---Towards-the-Bluest-Within---Detail-2.jpg" /&#62;
Towards the Bluest Within, 2024.
Acrylic and paper on canvas
165 x 400 cm


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4c4240ee634baf83bd54ca89d1db610929f585f5ccb4ef328907c436ac9bb444/yearsand-2.jpg" data-mid="81416805" border="0"  src="https://freight.cargo.site/w/1000/i/4c4240ee634baf83bd54ca89d1db610929f585f5ccb4ef328907c436ac9bb444/yearsand-2.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/827b70254d3b49613dd4ff309d03e6edc64f2865f6e3d98c529f87000371f41f/Sofia-Clausse---Years-and-years-and---Detail.jpg" data-mid="168748009" border="0"  src="https://freight.cargo.site/w/1000/i/827b70254d3b49613dd4ff309d03e6edc64f2865f6e3d98c529f87000371f41f/Sofia-Clausse---Years-and-years-and---Detail.jpg" /&#62;
 years and years and years and years and years and years and [yellow and blue], 2019Acrylic and collage on canvas110 x 93 cm

&#60;img width="4000" height="2499" width_o="4000" height_o="2499" data-src="https://freight.cargo.site/t/original/i/84bba2cb19e1d3a8b14a3c4b0120161d5a690a548fda100dbf1c8a5f45fb27b1/Sofia-Clausse-soft-water-diagram.jpg" data-mid="159933792" border="0"  src="https://freight.cargo.site/w/1000/i/84bba2cb19e1d3a8b14a3c4b0120161d5a690a548fda100dbf1c8a5f45fb27b1/Sofia-Clausse-soft-water-diagram.jpg" /&#62;Soft Water [diagram], 2022
Wall painting with ceramics and paper pulp.


&#60;img width="2272" height="1500" width_o="2272" height_o="1500" data-src="https://freight.cargo.site/t/original/i/24fba4436dcf9ce5180ec39bb8e047b98cdb6b8628d0d6b82a51cdaa14a9adda/Sofia-Clausse-Everything.jpg" data-mid="122951161" border="0"  src="https://freight.cargo.site/w/1000/i/24fba4436dcf9ce5180ec39bb8e047b98cdb6b8628d0d6b82a51cdaa14a9adda/Sofia-Clausse-Everything.jpg" /&#62;Everything, 2021Acrylic and collage on canvas110 x 90 cm


&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/0b8b18e72973eae8275448b17d55e89b626afc732a168e79fe32173119a15490/Sofia-Clausse-Withother.jpg" data-mid="168748321" border="0"  src="https://freight.cargo.site/w/1000/i/0b8b18e72973eae8275448b17d55e89b626afc732a168e79fe32173119a15490/Sofia-Clausse-Withother.jpg" /&#62;Withother, 2022Acrylic on canvas90 x 110 cm

&#60;img width="5792" height="3862" width_o="5792" height_o="3862" data-src="https://freight.cargo.site/t/original/i/ab724f18a8041d0d20e55b9ed30d148275aafd5b18ccc8fa293d76eda4c5401e/tapestry2-copy.jpg" data-mid="81414190" border="0"  src="https://freight.cargo.site/w/1000/i/ab724f18a8041d0d20e55b9ed30d148275aafd5b18ccc8fa293d76eda4c5401e/tapestry2-copy.jpg" /&#62;Paper tapestry #1, 2020Acrylic on newsprint and mixed media160 x 100 cm

&#60;img width="6000" height="4705" width_o="6000" height_o="4705" data-src="https://freight.cargo.site/t/original/i/c4e8dd8ed46a9b4e6f5a3e9971f1e4314d0ca7b25bac412c0239207b4260577f/DSC02443.jpg" data-mid="81433626" border="0"  src="https://freight.cargo.site/w/1000/i/c4e8dd8ed46a9b4e6f5a3e9971f1e4314d0ca7b25bac412c0239207b4260577f/DSC02443.jpg" /&#62;sun cycles, artist's book, edition of 8, 2019



&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/80b46f66d10607daf49570b305334766c69ccf72ced5e8858eca203314873f93/Sofia-Clausse-SolarRug.jpg" data-mid="105252605" border="0"  src="https://freight.cargo.site/w/1000/i/80b46f66d10607daf49570b305334766c69ccf72ced5e8858eca203314873f93/Sofia-Clausse-SolarRug.jpg" /&#62;Solar Rug, 2021Acrylic on tissue paper collage43 x 80 cm



&#60;img width="5792" height="3862" width_o="5792" height_o="3862" data-src="https://freight.cargo.site/t/original/i/5d03adcdeeb97354dc90c40fae5dbbba7aba4a39bb1abdee66d9ba7d529d752a/PaperTapestry-no2.jpg" data-mid="84074102" border="0"  src="https://freight.cargo.site/w/1000/i/5d03adcdeeb97354dc90c40fae5dbbba7aba4a39bb1abdee66d9ba7d529d752a/PaperTapestry-no2.jpg" /&#62;
Paper tapestry #2, 2020Acrylic on newsprint and mixed media150 x 96 cm

&#60;img width="8152" height="4586" width_o="8152" height_o="4586" data-src="https://freight.cargo.site/t/original/i/93483cdbeae6177076aa9446ae47cce180c955fd2f58eef007aa4eb41fdf7ba7/Sofia-Clausse-Trapo-Rejilla.jpg" data-mid="86651417" border="0"  src="https://freight.cargo.site/w/1000/i/93483cdbeae6177076aa9446ae47cce180c955fd2f58eef007aa4eb41fdf7ba7/Sofia-Clausse-Trapo-Rejilla.jpg" /&#62;

	
		
		
	
	
		
			
				
					Paper Dishcloth, 2020
Acrylic on newspaper

13.5 x 12 inches


&#60;img width="5807" height="3937" width_o="5807" height_o="3937" data-src="https://freight.cargo.site/t/original/i/baeae483d976bb888d616a58d47a3df0b4a93dd6307302171a1f10830599bf4f/Sofia-Clausse-Press-Print.jpg" data-mid="87295426" border="0"  src="https://freight.cargo.site/w/1000/i/baeae483d976bb888d616a58d47a3df0b4a93dd6307302171a1f10830599bf4f/Sofia-Clausse-Press-Print.jpg" /&#62;
Press Prints, 2020Paper on paper, edition of 1059.4 x 42 cm



&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/78344d9dfe0381d7e81f79e402e74d22e6459afa9a35367d45f945f526bedba6/unknot-2-copy.jpg" data-mid="81416807" border="0"  src="https://freight.cargo.site/w/1000/i/78344d9dfe0381d7e81f79e402e74d22e6459afa9a35367d45f945f526bedba6/unknot-2-copy.jpg" /&#62;
unknot, 2019Acrylic on canvas109 x 90 cm

&#60;img width="5408" height="3612" width_o="5408" height_o="3612" data-src="https://freight.cargo.site/t/original/i/8874d370a59b0c78ca6860f4b2a03eec15be71f92489d9a95f2dfa135988c8fc/DSC02212-copy2.jpg" data-mid="81431746" border="0"  src="https://freight.cargo.site/w/1000/i/8874d370a59b0c78ca6860f4b2a03eec15be71f92489d9a95f2dfa135988c8fc/DSC02212-copy2.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b21f794112fa74aafe300e7dbfa697c9638cd35739a9c6379ee16dc2d9edadbf/DSC02217.jpg" data-mid="81431749" border="0"  src="https://freight.cargo.site/w/1000/i/b21f794112fa74aafe300e7dbfa697c9638cd35739a9c6379ee16dc2d9edadbf/DSC02217.jpg" /&#62;
▄▀█▐▄▀▐ , 2019
Glazed terracota
55 x 40 x 2 cm



&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/394609d51a134f5c87a96c2036a3438b95460a432687b1bf02520cff34fbeae3/2019-One-Two-Now.jpg" data-mid="84930166" border="0"  src="https://freight.cargo.site/w/1000/i/394609d51a134f5c87a96c2036a3438b95460a432687b1bf02520cff34fbeae3/2019-One-Two-Now.jpg" /&#62;One and Two, 2019Acrylic and collage on canvas110 x 91 cm each&#38;nbsp;




&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/dc3b5bf68bccd465e398dc79181bf3d7107314135165b3a9d66d0ef3d3e6c4a3/3.jpg" data-mid="81432073" border="0"  src="https://freight.cargo.site/w/1000/i/dc3b5bf68bccd465e398dc79181bf3d7107314135165b3a9d66d0ef3d3e6c4a3/3.jpg" /&#62;
Touch the plants, 2019
Acrylic on paper
84 x 59 cm


&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/74e21f4dc4343da812e729a240fd5200ba4f7653ee0212e58937ee821337bbb8/sofia03.jpg" data-mid="81432566" border="0"  src="https://freight.cargo.site/w/1000/i/74e21f4dc4343da812e729a240fd5200ba4f7653ee0212e58937ee821337bbb8/sofia03.jpg" /&#62;
Go, 2017
Acrylic on canvas
119 x 94 cm


&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/bc8315ce62ce94c5a930fe13254a8185391ef687fa2f5dc29d5ddff62eff1493/sofia02.jpg" data-mid="81432694" border="0"  src="https://freight.cargo.site/w/1000/i/bc8315ce62ce94c5a930fe13254a8185391ef687fa2f5dc29d5ddff62eff1493/sofia02.jpg" /&#62;
One Two Now, 2017
Acrylic on canvas
123 x 100 cm


&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/029674deecd3fad9ede7afa9ae438b0a33dcbdb001e884554f3aa542bea58cfd/sofia5.jpg" data-mid="81432917" border="0"  src="https://freight.cargo.site/w/1000/i/029674deecd3fad9ede7afa9ae438b0a33dcbdb001e884554f3aa542bea58cfd/sofia5.jpg" /&#62;
chicha racetracks #1, 2017
Acrylic on paper
83 x 118


&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/2b08601b3f8de033dcd3091ed10c4d8a5da158d2f58d4eeee23f6fcf34a8d350/sofia06.jpg" data-mid="81432932" border="0"  src="https://freight.cargo.site/w/1000/i/2b08601b3f8de033dcd3091ed10c4d8a5da158d2f58d4eeee23f6fcf34a8d350/sofia06.jpg" /&#62;
Forgetting, 2018
Acrylic on canvas
120 x 100



&#60;img width="1778" height="1111" width_o="1778" height_o="1111" data-src="https://freight.cargo.site/t/original/i/da0b90ff53eaa011ffdf48c7b3071eb5c160f86c3032e077cee0d4424cc5c1f1/Sofia-Clausse_2018.jpg" data-mid="81416854" border="0"  src="https://freight.cargo.site/w/1000/i/da0b90ff53eaa011ffdf48c7b3071eb5c160f86c3032e077cee0d4424cc5c1f1/Sofia-Clausse_2018.jpg" /&#62;
TO THE MOON TWO SPIRAL BOUND, 2018Acrylic and paper on canvas130 x 113 cm 



&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ced9e7b4cde01013da48a073ce6fe31dce748ebb1915f7fb11cb4661c8c8d27b/sofia04.jpg" data-mid="81432562" border="0"  src="https://freight.cargo.site/w/1000/i/ced9e7b4cde01013da48a073ce6fe31dce748ebb1915f7fb11cb4661c8c8d27b/sofia04.jpg" /&#62;
while as much, 2017
Acrylic on paper
118 x 83



&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/cc543dfbff57c79b4d831de9479d33b86445654ec69738a68129e13ed170380f/sofia8.jpg" data-mid="81434019" border="0"  src="https://freight.cargo.site/w/1000/i/cc543dfbff57c79b4d831de9479d33b86445654ec69738a68129e13ed170380f/sofia8.jpg" /&#62;
various car tools, 2017


&#60;img width="5778" height="3852" width_o="5778" height_o="3852" data-src="https://freight.cargo.site/t/original/i/7bc72207ad0eeda7dd1a8a2e343edf1ec07c6ac9a364162286e228cac394810f/Tool-Pencils.jpg" data-mid="81434241" border="0"  src="https://freight.cargo.site/w/1000/i/7bc72207ad0eeda7dd1a8a2e343edf1ec07c6ac9a364162286e228cac394810f/Tool-Pencils.jpg" /&#62;
pencil dancers tool, 2018


&#60;img width="5667" height="3798" width_o="5667" height_o="3798" data-src="https://freight.cargo.site/t/original/i/6f659ff9f64adedb165ce5b485a743018a98d275c4fc65b7bb45154126b4a9f7/SqueegeeFingers-v3.jpg" data-mid="81434250" border="0"  src="https://freight.cargo.site/w/1000/i/6f659ff9f64adedb165ce5b485a743018a98d275c4fc65b7bb45154126b4a9f7/SqueegeeFingers-v3.jpg" /&#62;
squeegee fingers tool, 2019

</description>
		
	</item>
		
		
	<item>
		<title>Sketchbook</title>
				
		<link>https://sofiaclausse.com/Sketchbook</link>

		<pubDate>Mon, 31 Aug 2020 16:19:13 +0000</pubDate>

		<dc:creator>Sofía Clausse</dc:creator>

		<guid isPermaLink="true">https://sofiaclausse.com/Sketchbook</guid>

		<description>
&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/671d3e891501531c6cf08efe35660c7cab1f09f4042f3e2350ba6ca83121cfb9/sketchbook5.jpg" data-mid="81417017" border="0"  src="https://freight.cargo.site/w/1000/i/671d3e891501531c6cf08efe35660c7cab1f09f4042f3e2350ba6ca83121cfb9/sketchbook5.jpg" /&#62;
&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/af63565400b3b7e3a2f6cd52f7529ff0187d53415539a34318208dd14dd66aa8/sketchbook4.jpg" data-mid="81417020" border="0"  src="https://freight.cargo.site/w/1000/i/af63565400b3b7e3a2f6cd52f7529ff0187d53415539a34318208dd14dd66aa8/sketchbook4.jpg" /&#62;
Selected pages from Sketchbook #13, March to August 2020, A3




&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/c22b6dae693f52c1c572ee5d7d22da60566f9aa24be7ceae72e5e39039fc4207/sketchbook6.jpg" data-mid="81417608" border="0"  src="https://freight.cargo.site/w/1000/i/c22b6dae693f52c1c572ee5d7d22da60566f9aa24be7ceae72e5e39039fc4207/sketchbook6.jpg" /&#62;
&#60;img width="5333" height="3333" width_o="5333" height_o="3333" data-src="https://freight.cargo.site/t/original/i/dac26188f63cd1ec6c2058a88e55a576867f0ec7b87a6b42da1e1b00af6ad6ac/sketchbook8.jpg" data-mid="81417605" border="0"  src="https://freight.cargo.site/w/1000/i/dac26188f63cd1ec6c2058a88e55a576867f0ec7b87a6b42da1e1b00af6ad6ac/sketchbook8.jpg" /&#62;

Selected pages from Sketchbook #9, January to February 2019, A3


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/cdfd57e322363a3d07bbdd60efdd8c341f2e8d31f43a4cc1b6803b0028be52f6/07-01.jpg" data-mid="84093221" border="0"  src="https://freight.cargo.site/w/1000/i/cdfd57e322363a3d07bbdd60efdd8c341f2e8d31f43a4cc1b6803b0028be52f6/07-01.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/64831e7b7e16ee438d86c9d671daa74ee2cb470381eb2c1ab231b926b36baab2/07-02.jpg" data-mid="84093222" border="0"  src="https://freight.cargo.site/w/1000/i/64831e7b7e16ee438d86c9d671daa74ee2cb470381eb2c1ab231b926b36baab2/07-02.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/08ba92c805e670a2cd379ebed0e83ce478289c30e517492729cbdd162a81eb60/07-03.jpg" data-mid="84093223" border="0"  src="https://freight.cargo.site/w/1000/i/08ba92c805e670a2cd379ebed0e83ce478289c30e517492729cbdd162a81eb60/07-03.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5c233e21b7e6c9ff599def67958ebc025b8bae522fff4c83ce481f8a5625ccc8/07-05.jpg" data-mid="84093237" border="0"  src="https://freight.cargo.site/w/1000/i/5c233e21b7e6c9ff599def67958ebc025b8bae522fff4c83ce481f8a5625ccc8/07-05.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e0bcf77278b873186c31d2dff9372253a0479169bcb61f2103f1fc8a8b27078c/07-04.jpg" data-mid="84093235" border="0"  src="https://freight.cargo.site/w/1000/i/e0bcf77278b873186c31d2dff9372253a0479169bcb61f2103f1fc8a8b27078c/07-04.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/06a5c304f868f3ef87acbc513ab161490b55566498d2b84927ba6d9f8afb9df5/07-06.jpg" data-mid="84093238" border="0"  src="https://freight.cargo.site/w/1000/i/06a5c304f868f3ef87acbc513ab161490b55566498d2b84927ba6d9f8afb9df5/07-06.jpg" /&#62;

Selected pages from Sketchbook #7, Summer 2018, A3


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/03e2a9d739064a3d9950dc33b42fdfc00655fe02e2f63782b21d0236f43efe11/06-01.jpg" data-mid="82234536" border="0"  src="https://freight.cargo.site/w/1000/i/03e2a9d739064a3d9950dc33b42fdfc00655fe02e2f63782b21d0236f43efe11/06-01.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d7d50f365fd3ad984e258e1d95e8d9a8da6c787bde581de08aa744848420490a/06-03.jpg" data-mid="82234267" border="0"  src="https://freight.cargo.site/w/1000/i/d7d50f365fd3ad984e258e1d95e8d9a8da6c787bde581de08aa744848420490a/06-03.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/60f2769f2d8d5da0b6d9077a80de7286db57ec87020e7afce56063ae2054adf4/06-02.jpg" data-mid="82234266" border="0"  src="https://freight.cargo.site/w/1000/i/60f2769f2d8d5da0b6d9077a80de7286db57ec87020e7afce56063ae2054adf4/06-02.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/54d3954c3b74692f943da54f9ae6f4948a87d6c84676b347d0309e58db0bb15c/06-05.jpg" data-mid="82234269" border="0"  src="https://freight.cargo.site/w/1000/i/54d3954c3b74692f943da54f9ae6f4948a87d6c84676b347d0309e58db0bb15c/06-05.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/05563914f37e62d8059a79fe4f3e197aeb3534c96b1d2277ef04bf59c2ad0694/06-04.jpg" data-mid="82234268" border="0"  src="https://freight.cargo.site/w/1000/i/05563914f37e62d8059a79fe4f3e197aeb3534c96b1d2277ef04bf59c2ad0694/06-04.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/05563914f37e62d8059a79fe4f3e197aeb3534c96b1d2277ef04bf59c2ad0694/06-04.jpg" data-mid="82234268" border="0"  src="https://freight.cargo.site/w/1000/i/05563914f37e62d8059a79fe4f3e197aeb3534c96b1d2277ef04bf59c2ad0694/06-04.jpg" /&#62;

Selected pages from Sketchbook #6, March 2018, A3


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/cbd077e2366802efe5b1166e609c73e5b166cff4853235121969fe7618cc914d/05-01.jpg" data-mid="82090444" border="0"  src="https://freight.cargo.site/w/1000/i/cbd077e2366802efe5b1166e609c73e5b166cff4853235121969fe7618cc914d/05-01.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/cbf8d03ddb1492bb0ff8a14e39724233812e20e9fd181df5c95bd1fb7e3e867e/05-02.jpg" data-mid="82090445" border="0"  src="https://freight.cargo.site/w/1000/i/cbf8d03ddb1492bb0ff8a14e39724233812e20e9fd181df5c95bd1fb7e3e867e/05-02.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a536eb731bbe00857966f45ab6a46fc47280822ef360c84b0d9854a4e350ac03/05-03.jpg" data-mid="82090446" border="0"  src="https://freight.cargo.site/w/1000/i/a536eb731bbe00857966f45ab6a46fc47280822ef360c84b0d9854a4e350ac03/05-03.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/294f368680ec4a5af75394d776577885548804394321d0b66db0b40c8b48fed4/05-04.jpg" data-mid="82090447" border="0"  src="https://freight.cargo.site/w/1000/i/294f368680ec4a5af75394d776577885548804394321d0b66db0b40c8b48fed4/05-04.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/43e24c6fb56d6f90c01c1f9d0623c4bcb1127f4a4cf20102e2a7078d660fe5e1/05-05.jpg" data-mid="82090448" border="0"  src="https://freight.cargo.site/w/1000/i/43e24c6fb56d6f90c01c1f9d0623c4bcb1127f4a4cf20102e2a7078d660fe5e1/05-05.jpg" /&#62;
Selected pages from Sketchbook #5, January to February 2018, A3

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4729c493a1252d0b5db14da941c44666ce2c2bd62177138d99253b014f93ec67/04-01.jpg" data-mid="81717818" border="0"  src="https://freight.cargo.site/w/1000/i/4729c493a1252d0b5db14da941c44666ce2c2bd62177138d99253b014f93ec67/04-01.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/98cd25d61d9f65b87728e00a7445ee43ce19ad708f998024a135c9074f6e9cfe/04-03.jpg" data-mid="81717820" border="0"  src="https://freight.cargo.site/w/1000/i/98cd25d61d9f65b87728e00a7445ee43ce19ad708f998024a135c9074f6e9cfe/04-03.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2270f0b1f0956b1b202ad03917e66735e512da4ed5723f934dace3b17924df97/04-02.jpg" data-mid="81717819" border="0"  src="https://freight.cargo.site/w/1000/i/2270f0b1f0956b1b202ad03917e66735e512da4ed5723f934dace3b17924df97/04-02.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a3c345c627183970902abaf6e435db05ba86119121801683219f0c97ec6796a9/04-04.jpg" data-mid="81717821" border="0"  src="https://freight.cargo.site/w/1000/i/a3c345c627183970902abaf6e435db05ba86119121801683219f0c97ec6796a9/04-04.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1f6067d06352360609d0cf6a3b65adf2fd1936e597b621917b41bc8d4df2c2b2/04-05.jpg" data-mid="82091150" border="0"  src="https://freight.cargo.site/w/1000/i/1f6067d06352360609d0cf6a3b65adf2fd1936e597b621917b41bc8d4df2c2b2/04-05.jpg" /&#62;
Selected pages from Sketchbook #4, December 2017, A3


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d963326f55e7f04bcf840790167c2bb469571bff7bcf9d20f928bcfe3226ff0c/03-01.jpg" data-mid="81625225" border="0"  src="https://freight.cargo.site/w/1000/i/d963326f55e7f04bcf840790167c2bb469571bff7bcf9d20f928bcfe3226ff0c/03-01.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/467ce9cf3c3623def72e14b4a857f9ad995b485cab259742f003914fa59718c3/03-02.jpg" data-mid="81625226" border="0"  src="https://freight.cargo.site/w/1000/i/467ce9cf3c3623def72e14b4a857f9ad995b485cab259742f003914fa59718c3/03-02.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d318e97bbd1df2c287ce9c8eb4fbe52ad356dc692f57ce0be3e9a13d8d8f77be/03-03.jpg" data-mid="81625227" border="0"  src="https://freight.cargo.site/w/1000/i/d318e97bbd1df2c287ce9c8eb4fbe52ad356dc692f57ce0be3e9a13d8d8f77be/03-03.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9d596d7211ed2c6ed67106a181a7abdb0832a0a78816b1d3aac87a36f88e8ff8/03-04.jpg" data-mid="81625232" border="0"  src="https://freight.cargo.site/w/1000/i/9d596d7211ed2c6ed67106a181a7abdb0832a0a78816b1d3aac87a36f88e8ff8/03-04.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d95e6965fe771463434499f6f865a8ba341dad21c30947510525500526af505a/03-06.jpg" data-mid="81625931" border="0"  src="https://freight.cargo.site/w/1000/i/d95e6965fe771463434499f6f865a8ba341dad21c30947510525500526af505a/03-06.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3c7eb8dee6d0acfc5abf3417ee27d67118dccbcbd54afce0c33307cd01ee2c49/03-05.jpg" data-mid="81625930" border="0"  src="https://freight.cargo.site/w/1000/i/3c7eb8dee6d0acfc5abf3417ee27d67118dccbcbd54afce0c33307cd01ee2c49/03-05.jpg" /&#62;

Selected pages from Sketchbook #3, November 2017, A3


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/efbe0a89790976307708494bf1e7c0cf6d62abda790cfc47edf1e51552e08b70/02-01.jpg" data-mid="81623458" border="0"  src="https://freight.cargo.site/w/1000/i/efbe0a89790976307708494bf1e7c0cf6d62abda790cfc47edf1e51552e08b70/02-01.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b37a9b634818acb088554ca2715c8eb1b4ca78052b431811cc8b841874a4eba2/02-03.jpg" data-mid="81622808" border="0"  src="https://freight.cargo.site/w/1000/i/b37a9b634818acb088554ca2715c8eb1b4ca78052b431811cc8b841874a4eba2/02-03.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b4ed31d438ceafcb507eb3a0fa6ecad11113897420af25488e200789b61b5cae/02-04.jpg" data-mid="81622815" border="0"  src="https://freight.cargo.site/w/1000/i/b4ed31d438ceafcb507eb3a0fa6ecad11113897420af25488e200789b61b5cae/02-04.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f4a2392de4b96c68e7bd18f80e5ab8b1aab5a71f1c2fcdf499ced62a68a388ce/02-06.jpg" data-mid="81623850" border="0"  src="https://freight.cargo.site/w/1000/i/f4a2392de4b96c68e7bd18f80e5ab8b1aab5a71f1c2fcdf499ced62a68a388ce/02-06.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9cebb1ffe94148320bedb68a8d27f5d424339383af29a465efef22a704c0d99b/02-07.jpg" data-mid="81622828" border="0"  src="https://freight.cargo.site/w/1000/i/9cebb1ffe94148320bedb68a8d27f5d424339383af29a465efef22a704c0d99b/02-07.jpg" /&#62;

Selected pages from Sketchbook #2, October 2017, A3



&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/06cc5ba3c9df010a3a78d5e65cf9f7e1239e3ea90a764d5145cc21a51d8c3b97/01-01.jpg" data-mid="81618694" border="0"  src="https://freight.cargo.site/w/1000/i/06cc5ba3c9df010a3a78d5e65cf9f7e1239e3ea90a764d5145cc21a51d8c3b97/01-01.jpg" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/38b3767862608ab6a4785414fb0de114d0b6248d021904d08cd449bde9184240/01-03.jpg" data-mid="81620037" border="0"  src="https://freight.cargo.site/w/1000/i/38b3767862608ab6a4785414fb0de114d0b6248d021904d08cd449bde9184240/01-03.jpg" /&#62;
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Selected pages from Sketchbook #1, September 2017, A3</description>
		
	</item>
		
		
	<item>
		<title>Exhibitions</title>
				
		<link>https://sofiaclausse.com/Exhibitions</link>

		<pubDate>Tue, 29 Sep 2020 11:11:02 +0000</pubDate>

		<dc:creator>Sofía Clausse</dc:creator>

		<guid isPermaLink="true">https://sofiaclausse.com/Exhibitions</guid>

		<description>2023Labyrinth at Municipal Bonds, San Francisco, USA.
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&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/f0f7d81a872bbc54ecb6e064244686b0a612a03d35fd798c9f0bd31015eb167b/MB230502-Install-36-copy.jpg" data-mid="178284147" border="0"  src="https://freight.cargo.site/w/1000/i/f0f7d81a872bbc54ecb6e064244686b0a612a03d35fd798c9f0bd31015eb167b/MB230502-Install-36-copy.jpg" /&#62;






2022Soft Water at Slugtown, Newcastle, UK.
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&#60;img width="5000" height="3169" width_o="5000" height_o="3169" data-src="https://freight.cargo.site/t/original/i/b06325f5ac73737507e6b7a6241cad3aa7ee8a0ffcd777e208dc92f05fc5fa16/Hi-SC_Install_014_0302-copy.jpg" data-mid="166356920" border="0"  src="https://freight.cargo.site/w/1000/i/b06325f5ac73737507e6b7a6241cad3aa7ee8a0ffcd777e208dc92f05fc5fa16/Hi-SC_Install_014_0302-copy.jpg" /&#62;
Royal Academy Schools Show 2022, at the Royal Academy of Arts London. Link
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2021Along the lines, solo exhibition, curated by Inês Geraldes Cardoso, Kupfer gallery, London. 
Link
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&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/9ca79d69c74dea1e200062388e3358a5dcb9595fa55fcb142df7d86a337c2c7a/_DSC0625LR.jpg" data-mid="108600453" border="0"  src="https://freight.cargo.site/w/1000/i/9ca79d69c74dea1e200062388e3358a5dcb9595fa55fcb142df7d86a337c2c7a/_DSC0625LR.jpg" /&#62;

&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/083575b81f55695cd9e29d0c7e7cb51d3acb0e43ea1d909fa19fc6a478b439c3/_DSC0644LR.jpg" data-mid="111561895" border="0" data-scale="42" src="https://freight.cargo.site/w/800/i/083575b81f55695cd9e29d0c7e7cb51d3acb0e43ea1d909fa19fc6a478b439c3/_DSC0644LR.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/928ec53d46fc3c565ff9127a58880ceed2a877b4e287974614299bb5e774b939/_DSC0643LR.jpg" data-mid="111561892" border="0" data-scale="42" src="https://freight.cargo.site/w/800/i/928ec53d46fc3c565ff9127a58880ceed2a877b4e287974614299bb5e774b939/_DSC0643LR.jpg" /&#62;


2020S.O.L. System of Language, Eve Leibe Gallery, online.&#38;nbsp;
Link
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&#60;img width="2844" height="1778" width_o="2844" height_o="1778" data-src="https://freight.cargo.site/t/original/i/512c834ec0e24872857662cbc6bba66181253c7c0b72baa7e4c97e3a973eda66/Sofia-Clausse-Eve-Leibe-2.png" data-mid="93608248" border="0"  src="https://freight.cargo.site/w/1000/i/512c834ec0e24872857662cbc6bba66181253c7c0b72baa7e4c97e3a973eda66/Sofia-Clausse-Eve-Leibe-2.png" /&#62;
&#60;img width="3011" height="1882" width_o="3011" height_o="1882" data-src="https://freight.cargo.site/t/original/i/c7bdc64511265e055b350d4651f20b7b2b0864cb6c8b3cc9febd2b9aa0ebb72b/Sofia-Clausse-Eve-Leibe-3.png" data-mid="93608318" border="0"  src="https://freight.cargo.site/w/1000/i/c7bdc64511265e055b350d4651f20b7b2b0864cb6c8b3cc9febd2b9aa0ebb72b/Sofia-Clausse-Eve-Leibe-3.png" /&#62;
&#60;img width="2770" height="1682" width_o="2770" height_o="1682" data-src="https://freight.cargo.site/t/original/i/a95aceddb4f9dc6e21ad28cc4732d2d1e3162593e1df40cd614cf03766fcdd33/Sofia-Clausse-Eve-Leibe-4.png" data-mid="93608363" border="0"  src="https://freight.cargo.site/w/1000/i/a95aceddb4f9dc6e21ad28cc4732d2d1e3162593e1df40cd614cf03766fcdd33/Sofia-Clausse-Eve-Leibe-4.png" /&#62;
&#60;img width="3096" height="1757" width_o="3096" height_o="1757" data-src="https://freight.cargo.site/t/original/i/c2515a9b1501310ffbc21d6eadf869156db7ad19422a064cc05ae15024c23ebc/Sofia-Clausse-Eve-Leibe-5.png" data-mid="93608434" border="0"  src="https://freight.cargo.site/w/1000/i/c2515a9b1501310ffbc21d6eadf869156db7ad19422a064cc05ae15024c23ebc/Sofia-Clausse-Eve-Leibe-5.png" /&#62;

2020
re:assembly. Nationale Gallery, Portland, USA. September 2020. 
Exhibition link
Press release
&#60;img width="2035" height="1202" width_o="2035" height_o="1202" data-src="https://freight.cargo.site/t/original/i/dd461258c50bb61ae3e5ccf8162baa6986825e82a799bcc4f7a01856b58698b0/RE-ASSEMBLY-WEST-LG.jpg" data-mid="84069126" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/dd461258c50bb61ae3e5ccf8162baa6986825e82a799bcc4f7a01856b58698b0/RE-ASSEMBLY-WEST-LG.jpg" /&#62;

&#60;img width="1700" height="1318" width_o="1700" height_o="1318" data-src="https://freight.cargo.site/t/original/i/0abdd526caf6989178e94afb1e5f3133c66fc6f69f85a6d229e49de326636606/RE-ASSEMBLY-SOUTH-LG.jpg" data-mid="84069123" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/0abdd526caf6989178e94afb1e5f3133c66fc6f69f85a6d229e49de326636606/RE-ASSEMBLY-SOUTH-LG.jpg" /&#62;
&#60;img width="1312" height="1698" width_o="1312" height_o="1698" data-src="https://freight.cargo.site/t/original/i/9eeec6ba5618eb8a18112b675dc5e100cd8e8d595720bfad2bebd3c19b9e513f/RE-ASSEMBLY-SOUTH-WEST-2-LG.jpg" data-mid="84069124" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/9eeec6ba5618eb8a18112b675dc5e100cd8e8d595720bfad2bebd3c19b9e513f/RE-ASSEMBLY-SOUTH-WEST-2-LG.jpg" /&#62;

&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d1f08207d85af43785b85fa92512c1089927e5ef3e7d22f0339c33eecd5cb32d/RE-ASSEMBLY-SOUTH-WEST-LG.jpg" data-mid="84069125" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/d1f08207d85af43785b85fa92512c1089927e5ef3e7d22f0339c33eecd5cb32d/RE-ASSEMBLY-SOUTH-WEST-LG.jpg" /&#62;

2020
Artists' Tools, Special Special Gallery, New York.&#38;nbsp;
Exhibition link
Press release
&#60;img width="1626" height="1080" width_o="1626" height_o="1080" data-src="https://freight.cargo.site/t/original/i/01063299a970542ebd2d3ac6257cfcac44ac8d74930aa3995483310c5ff23c9f/AT_DSC7568_IG.jpg" data-mid="84068493" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/01063299a970542ebd2d3ac6257cfcac44ac8d74930aa3995483310c5ff23c9f/AT_DSC7568_IG.jpg" /&#62;

&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2037a07af9743d8f30b30340de7c82d087605eb2a58afd68c9bc78585d05433d/AT_DSC7571_IG.jpg" data-mid="84068494" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/2037a07af9743d8f30b30340de7c82d087605eb2a58afd68c9bc78585d05433d/AT_DSC7571_IG.jpg" /&#62;

&#60;img width="1173" height="1173" width_o="1173" height_o="1173" data-src="https://freight.cargo.site/t/original/i/6f2d3302660f2e18de811f749b95876ea188d672de5160f46cd5f9523a354cb7/AT_18A4B41B_IG.jpg" data-mid="84068491" border="0"  src="https://freight.cargo.site/w/1000/i/6f2d3302660f2e18de811f749b95876ea188d672de5160f46cd5f9523a354cb7/AT_18A4B41B_IG.jpg" /&#62;

&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/e7d0bee58a32363753d2198a065d991fa4201fa3f5027e0d315f98f8274351c9/AT_DSC7606_IG.jpg" data-mid="84068495" border="0"  src="https://freight.cargo.site/w/1000/i/e7d0bee58a32363753d2198a065d991fa4201fa3f5027e0d315f98f8274351c9/AT_DSC7606_IG.jpg" /&#62;


&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f69ab5e4c98715b529eb59083c28094973ae91fb5f7d088fd346687fefb0c9ec/ArtistsToolsCatalog.png" data-mid="84068490" border="0"  src="https://freight.cargo.site/w/1000/i/f69ab5e4c98715b529eb59083c28094973ae91fb5f7d088fd346687fefb0c9ec/ArtistsToolsCatalog.png" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6be9f0dbb19dbd4a5a24c4d95e1ded6606ed4e38f95c8d2103942f3e84fbf0e5/AT_DSC07246_IG.jpg" data-mid="84068492" border="0"  src="https://freight.cargo.site/w/1000/i/6be9f0dbb19dbd4a5a24c4d95e1ded6606ed4e38f95c8d2103942f3e84fbf0e5/AT_DSC07246_IG.jpg" /&#62;

&#60;img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/bb58830f4e7f58bef66e4f1abe561208220ab84d356a88d23565c4edffd5ba1f/_DSC0278.JPG" data-mid="84068488" border="0"  src="https://freight.cargo.site/w/1000/i/bb58830f4e7f58bef66e4f1abe561208220ab84d356a88d23565c4edffd5ba1f/_DSC0278.JPG" /&#62;
&#60;img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/76b0099636e968b42179eceef4f02c9ccc8887ef4174650d3de982fe8b88d9f6/_DSC0279.JPG" data-mid="84068489" border="0"  src="https://freight.cargo.site/w/1000/i/76b0099636e968b42179eceef4f02c9ccc8887ef4174650d3de982fe8b88d9f6/_DSC0279.JPG" /&#62;




2020
Premiums Interim Projects, Royal Academy of Arts, London.&#38;nbsp;
Exhibition&#38;nbsp;Link
&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/b9e86f9bc3729fe75b3ca5ba81e749dd2b712c76f8fb9acbd1215a617320b3b7/Sofia-Clausse.jpg" data-mid="84068153" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/b9e86f9bc3729fe75b3ca5ba81e749dd2b712c76f8fb9acbd1215a617320b3b7/Sofia-Clausse.jpg" /&#62;

&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/81a399ae10f729b934ce0f6cdbf2041a81c834c14c2c891bee7cda36911c9184/Rebecca-Kay--Catinca-Malaimare--Sofia-Clausse--Kobby-Adi.jpg" data-mid="84068136" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/81a399ae10f729b934ce0f6cdbf2041a81c834c14c2c891bee7cda36911c9184/Rebecca-Kay--Catinca-Malaimare--Sofia-Clausse--Kobby-Adi.jpg" /&#62;

&#60;img width="2900" height="1927" width_o="2900" height_o="1927" data-src="https://freight.cargo.site/t/original/i/92ae14c5f27a82f54f75384dbfa8931427b62e4133e4145e4c21c13e8d7e74c6/pink-yellow-detail1.jpg" data-mid="84068128" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/92ae14c5f27a82f54f75384dbfa8931427b62e4133e4145e4c21c13e8d7e74c6/pink-yellow-detail1.jpg" /&#62;

&#60;img width="6000" height="4004" width_o="6000" height_o="4004" data-src="https://freight.cargo.site/t/original/i/98a14e31d23661db578284b55c0aff573a7d75137e53a4686a1ae097292b1aee/of-Ayo-Akingbade---Emmanuel-Awuni--Andrew-Maughan--Rebecca-Kay--Catinca-Malaimare--Sofia-Clausse--Emmanuel-Awuni.jpg" data-mid="84068353" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/98a14e31d23661db578284b55c0aff573a7d75137e53a4686a1ae097292b1aee/of-Ayo-Akingbade---Emmanuel-Awuni--Andrew-Maughan--Rebecca-Kay--Catinca-Malaimare--Sofia-Clausse--Emmanuel-Awuni.jpg" /&#62;


2019LANDGRAB, The Shop at Sadie Coles HQ, London.&#38;nbsp;

&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/830479814e9da6167e6e4adafd0497ac05a76c858b544434ba6460bc304fdaa1/_MG_8849.jpg" data-mid="84067706" border="0"  src="https://freight.cargo.site/w/1000/i/830479814e9da6167e6e4adafd0497ac05a76c858b544434ba6460bc304fdaa1/_MG_8849.jpg" /&#62;
&#60;img width="876" height="1263" width_o="876" height_o="1263" data-src="https://freight.cargo.site/t/original/i/a733859213de8c0c7ef495796d48a7fd07ff64e78af3563556684675640b3a1c/_MG_8728-copy.jpg" data-mid="84067520" border="0"  src="https://freight.cargo.site/w/876/i/a733859213de8c0c7ef495796d48a7fd07ff64e78af3563556684675640b3a1c/_MG_8728-copy.jpg" /&#62;


&#60;img width="876" height="1313" width_o="876" height_o="1313" data-src="https://freight.cargo.site/t/original/i/0cadd345c7fc97d0c21d63221f8891b3a9ea5d1751a929a2907b1c72a285f324/_MG_8724.jpg" data-mid="84067602" border="0"  src="https://freight.cargo.site/w/876/i/0cadd345c7fc97d0c21d63221f8891b3a9ea5d1751a929a2907b1c72a285f324/_MG_8724.jpg" /&#62;
&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/bae2d57ecbb95480885a23fffac283c7258c5d71048ffe3223d17bef118c90b8/_MG_8816.jpg" data-mid="84067823" border="0"  src="https://freight.cargo.site/w/1000/i/bae2d57ecbb95480885a23fffac283c7258c5d71048ffe3223d17bef118c90b8/_MG_8816.jpg" /&#62;


&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/a0c5f8a141067062d23a9aae063075340764b25a8465c1938ff7dec9063742d2/_MG_8847.jpg" data-mid="84067705" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/a0c5f8a141067062d23a9aae063075340764b25a8465c1938ff7dec9063742d2/_MG_8847.jpg" /&#62;
&#60;img width="966" height="752" width_o="966" height_o="752" data-src="https://freight.cargo.site/t/original/i/5b20bc9312117e2d97cdf86430c817d1cc596e35ccb1aaa14fd8e24f8b37092f/_MG_9013-copy.jpg" data-mid="84073480" border="0" data-scale="91" src="https://freight.cargo.site/w/966/i/5b20bc9312117e2d97cdf86430c817d1cc596e35ccb1aaa14fd8e24f8b37092f/_MG_9013-copy.jpg" /&#62;
2018
Ginny Projects x Sinkhole Project, a fence in Museum Gardens, London. 
Exhibition&#38;nbsp;Link

&#60;img width="1280" height="1919" width_o="1280" height_o="1919" data-src="https://freight.cargo.site/t/original/i/ab08f39866ac2240bb5d855e5a3aac8c98670c539f5d4a00610a01d133208bbc/Sofia-Clausse-Ginny-Projects.jpg" data-mid="84067108" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/ab08f39866ac2240bb5d855e5a3aac8c98670c539f5d4a00610a01d133208bbc/Sofia-Clausse-Ginny-Projects.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Studio</title>
				
		<link>https://sofiaclausse.com/Studio</link>

		<pubDate>Sat, 12 Nov 2022 18:48:43 +0000</pubDate>

		<dc:creator>Sofía Clausse</dc:creator>

		<guid isPermaLink="true">https://sofiaclausse.com/Studio</guid>

		<description>
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&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/993bb2b392772d2b5d1a2a29163ab99f8ab972f920580f653f318eee23ff75c7/Sofia-Clausse-studio-5FF.jpg" data-mid="158814790" border="0"  src="https://freight.cargo.site/w/750/i/993bb2b392772d2b5d1a2a29163ab99f8ab972f920580f653f318eee23ff75c7/Sofia-Clausse-studio-5FF.jpg" /&#62;
&#60;img width="2096" height="3724" width_o="2096" height_o="3724" data-src="https://freight.cargo.site/t/original/i/3efa029c232119fc7d9b6e2f95b7646b2e72548fa3098dc546c582b05e1f5708/Sofia-Clausse-studio-52.JPG" data-mid="158814791" border="0"  src="https://freight.cargo.site/w/1000/i/3efa029c232119fc7d9b6e2f95b7646b2e72548fa3098dc546c582b05e1f5708/Sofia-Clausse-studio-52.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/eeed267e1698a62e7d0946a46ef266a6ca24b1ff575b2a4b0c30015d6edd8530/Sofia-Clausse-studio-0542.JPG" data-mid="158814792" border="0"  src="https://freight.cargo.site/w/1000/i/eeed267e1698a62e7d0946a46ef266a6ca24b1ff575b2a4b0c30015d6edd8530/Sofia-Clausse-studio-0542.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/899427a0856d3f508eb188528b65ecd0f907f9148bafad5ff9b303a97f4c332a/Sofia-Clausse-studio-0556.JPG" data-mid="158814795" border="0"  src="https://freight.cargo.site/w/1000/i/899427a0856d3f508eb188528b65ecd0f907f9148bafad5ff9b303a97f4c332a/Sofia-Clausse-studio-0556.JPG" /&#62;
&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/6b34a6469d70d1cfdcf2b533f1038a502ce21a2cc8b597702c540f0a3d8d6486/Sofia-Clausse-studio-0573.jpg" data-mid="158814796" border="0"  src="https://freight.cargo.site/w/1000/i/6b34a6469d70d1cfdcf2b533f1038a502ce21a2cc8b597702c540f0a3d8d6486/Sofia-Clausse-studio-0573.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f66a87229c21398f7c3ab69d6e9c0b345e2c6961d81b45f0b2791914a900970e/Sofia-Clausse-studio-0609-3.JPG" data-mid="158814797" border="0"  src="https://freight.cargo.site/w/1000/i/f66a87229c21398f7c3ab69d6e9c0b345e2c6961d81b45f0b2791914a900970e/Sofia-Clausse-studio-0609-3.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5edef5a222dc62d211a3ac4dce4bd975060dc0dfa98e679dde880b973756d76b/Sofia-Clausse-studio-0611-3.JPG" data-mid="158814798" border="0"  src="https://freight.cargo.site/w/1000/i/5edef5a222dc62d211a3ac4dce4bd975060dc0dfa98e679dde880b973756d76b/Sofia-Clausse-studio-0611-3.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a092641d6d54eed57faa082cf2d23ddf68853a2aeb2ed9d15aadc8fa3f334a38/Sofia-Clausse-studio-0631-3.JPG" data-mid="158814799" border="0"  src="https://freight.cargo.site/w/1000/i/a092641d6d54eed57faa082cf2d23ddf68853a2aeb2ed9d15aadc8fa3f334a38/Sofia-Clausse-studio-0631-3.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/7e9ae7c6a68306269df4b1ac41a06563006ebfbe5c64c24902d1a12ddb330bed/Sofia-Clausse-studio-0633.JPG" data-mid="158814800" border="0"  src="https://freight.cargo.site/w/1000/i/7e9ae7c6a68306269df4b1ac41a06563006ebfbe5c64c24902d1a12ddb330bed/Sofia-Clausse-studio-0633.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/85534c83524462f4ea0c9fdcf0778fd616509cd7ae0133dadcbcf850ac197106/Sofia-Clausse-studio-0832.JPG" data-mid="158814801" border="0"  src="https://freight.cargo.site/w/1000/i/85534c83524462f4ea0c9fdcf0778fd616509cd7ae0133dadcbcf850ac197106/Sofia-Clausse-studio-0832.JPG" /&#62;
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	<item>
		<title>Thoughts</title>
				
		<link>https://sofiaclausse.com/Thoughts</link>

		<pubDate>Wed, 02 Sep 2020 17:57:08 +0000</pubDate>

		<dc:creator>Sofía Clausse</dc:creator>

		<guid isPermaLink="true">https://sofiaclausse.com/Thoughts</guid>

		<description>A universe in a drop of waterFor my solo exhibition Soft Water, I'm exploring circularity, transformation, and "inter-creation", using water as a metaphor that runs across the body of work.&#38;nbsp;

Archetypically water is a symbol of that which is unconscious, mysterious, healing, and alchemical. Water moves in waves like it is breathing. It reacts to the moon. It gives life. 
I focus on what I think of as the soft qualities of water – how it transforms, flows, and changes through cycles, with its own rhythm, memory and time.

My practice is an ongoing and ever-expanding research where works transform and translate between one another, creating a spiraling way of production and thinking. 

Over the years, I have been creating diagrams as a way of visualizing language and ideas by combining drawing and writing. Through the act of diagramming, new levels of understanding can be explored and be revealed.
Water has its own diagrams which have their particular language. They have cycles within cycles, they have arrows, there are rainbows. My current studio in London is surrounded by water, which is how I began comparing my ways of creating, with the ways of water. I wanted to think with water, and to compare its qualities with my own language and forms.

In this body of work, visual elements, materials, colors, processes, and tools, are constantly transforming and generating each other, following and creating its own rules and systems, expanding its own universe. There are things that are constant, like the line, which is the single unit from which a bigger work evolves, taking on different forms. 

The painting Everything is made from interwoven lines that create a meandering looping shape, like an expression of the path that my research follows. The sketches leftover from making this painting go on to become the artist's book Parts I Book. These remaining materials also get made into the Press Print (Triple Chain), where the strips of paper have been rolled under a heavy press, creating a composition of flattened and folded paper lines whose final result is out of my control, and into the power of the press. The papers also get shredded into lines, and become the Tassel Knot – or these shredded lines are woven into the Paper Dish Rag. Other leftover papers get compressed and made into paper pulp, to become sculptural objects that live inside the wall diagram, like Paperpulp Flower. In the diagram I use the ceramic pieces that were used as molds to create those paper pulps, and thus the process continues, going back to the beginning but transformed, forming a new cycle of thinking and making.

The Soft Water Diagram is a circular diagram made of dualities. On the left triangular poem, words like "sand", "ampersands", and "suns" speak of the passing of time. On the right one, a petal becomes water becomes an endless game of transformation and translation. The two poems are connected by a curve, the "current", which just like a water stream it speaks of both the "now" and the "flow". Above, the moon affects the water, raining ceramic teardrops down to the circum polar, the deep water masses in the oceans. A circum polar is also a type of star which seems fixed in place with other stars rotating around it, guiding us in celestial navigation.

There is a moment, just like in painting, where a diagram becomes its own thing and goes on its own path, not totally in my control, but which I then follow to see where it's going. Diagrams have become another one of my tools, but they've also become a work on their own – I work with them and they work through me. 
I did not intend for the diagram to make itself into the shape of a yin yang – this is the part that the diagram did on its own. And to be honest, I didn't like that this happened at first, I found it naff or tacky, or I simply didn't want to take it there.
But as I tried to move it away from this symbol, I understood that this was the path that the diagram made, and that I simply followed. I think of this as "inter-creating" – where I create a work, and my work and I reciprocate each other. In this way, the yin yang is the ideal expression of the mutual inter-creation between myself and the work. I create the work, the work creates itself, it creates me, and I create the work. I follow and flow – flowowl? I flowllowl like soft water.

“In one drop of water are found all the secrets of all the oceans;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; in one aspect of You are found all the aspects of existence.” – Kahlil Gibran Jr.












▄▀█▐▄▀▐.The black-glazed ceramic pieces came from my thinking about the essence of words, and how to translate materials as if they were languages. The shapes are abstractions of words, arranged together as in a paragraph. The forms are created from tracing around the outline of words, and abstracting them further and further to reach these world-like shapes. S■█etimes they retain the ability to be read, but their legibility is pushed to the limit to remain with only their essence.

With these pieces, I've been thinking about translation, and how rather than translating from language to language, it can be done from material to mat▄▀ial. Using terracotta, I can explore this material's own limitations, such as the way it shrinks in the kiln, or the type of softened corners that it produces. Responding to these limitations is like finding the handwriting of clay.
During my formal studies on typography, I was taught how to see letterforms carefully by simultaneously looking and not looking at letters. By focusing on things like the negative forms, or the spaces between letters and between w▀rds, I was trained to pay attention to the form and look beyond the letters, seeing and not reading, and understanding how words change their evoked meaning depending on the form and arrangement of the letters. 
With these pieces I've been questioning what else can w■rds be, how else can they behave, and how I can invent my own lett▀rforms and ways of writing and reading that follow █y own rules of lang▄▀ge, translation,▐nd writing, while looking at █aterials and its transf■r█ation as a way of translation. ▌█ou▄h▐he pl▄▀ts and▐o■k for th■ █o▀▄h ▐he pl▄▀▐s a▀d ▐o■k fo▀ th■▐▀▄h ▐▐■ p▌▄▀▐s ▐▀d ▐■■k ▀o▀ th■ █▐▀▄■ ▐▐■ ■▌▄▀▐■ ▐▀▄ ▐■■█ ▀▄▀.

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Jacarandá from the 'Pressed Flowers' series.At this time of the year, the Jacarandá blooms in Buenos Aires, covering the floor in a purple carpet of petals. 
At the same time, in London where I am now, the pavements are full of yellow leaves that are falling from the trees.










Flowers and leaves mark the passing of time and cycles in a year, and I like the parallels and differences happening across both hemispheres. 






&#60;img width="1080" height="765" width_o="1080" height_o="765" data-src="https://freight.cargo.site/t/original/i/a3bafff63157c3658c28f26b0a958efc3f9f2becb54db1a493fc13f6af52e054/Sofia-Clausse-jacaranda.jpg" data-mid="88869293" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/a3bafff63157c3658c28f26b0a958efc3f9f2becb54db1a493fc13f6af52e054/Sofia-Clausse-jacaranda.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fc88b891c07479533f69ea8681ec62561a1c400ae94a7b6b78ae17ab13fc3e0b/Sofia-Clausse-London-leaves.jpg" data-mid="88869397" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/fc88b891c07479533f69ea8681ec62561a1c400ae94a7b6b78ae17ab13fc3e0b/Sofia-Clausse-London-leaves.jpg" /&#62;












I started cutting flowers without really knowing why I was doing it, becoming almost possessed with the movement of the knife going around the paper, and the flowers becoming physical once they're cut out in their silhouette. The childhood song Jacarandá by the Argentinian María Elena Walsh came to mind the next day, and some coincidences happened then: The song mentions tissue paper ('el cielo en la vereda dibujado está con espuma y papel de seda del jacarandá'), which is what I was using. It also talks about the colors light blue and purple that I was painting the papers with, and the time of the year being now when the flowers blossom. All of these connections came afterwards, which surprised me and made me think of them as synchronicities.
As a continuation of the thinking behind my "Pressed Prints" pieces, I started pressing the flowers. In those previous pieces, I would spray the paper with a mist of water to ease the flattening. So with these flowers, I thought of adding some essential oils to the water that I mist them with, to give the flowers another sense of themselves.



 

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/02a98a5ad52344a00ef0f21083e0dc1a432d7cd7ac20484433c9e85ed767e780/Sofia-Clausse-flores-jacaranda.jpg" data-mid="88870054" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/02a98a5ad52344a00ef0f21083e0dc1a432d7cd7ac20484433c9e85ed767e780/Sofia-Clausse-flores-jacaranda.jpg" /&#62;.&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2838" height="3784" width_o="2838" height_o="3784" data-src="https://freight.cargo.site/t/original/i/5f24b26fecb8459ad221b11a0f032cbd39cafa6968551e60c1f9c084b17b29ba/Sofia-Clausse-pressed-flowers-mist.jpg" data-mid="88870253" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/5f24b26fecb8459ad221b11a0f032cbd39cafa6968551e60c1f9c084b17b29ba/Sofia-Clausse-pressed-flowers-mist.jpg" /&#62;. &#38;nbsp; &#38;nbsp;&#60;img width="2712" height="3735" width_o="2712" height_o="3735" data-src="https://freight.cargo.site/t/original/i/7d43399622a2f6167a6e96b1e79096fbcc195872cd269c7eaed8a2f51e0c9ccf/Pressed-Flowers---lifting-the-paper.jpg" data-mid="88870502" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/7d43399622a2f6167a6e96b1e79096fbcc195872cd269c7eaed8a2f51e0c9ccf/Pressed-Flowers---lifting-the-paper.jpg" /&#62;
Another thing happened then, which was that my aunt told me that the word 'Jacarandá' in the Guaraní language means fragrant. It was another parallel to what I was doing, of bringing smell into the thinking. The fragrance of the flowers are actually very subtle and soft, I wouldn't think of these flowers as particularly having a smell or being fragrant.

Now I’m using the press in other ways, letting it surprise me with outcomes and with the way it behaves. Sometimes it's as if the work wants to do itself, and it brings me the understanding and connections afterwards. Those are some of my favorite moments in my practice, when I'm following it as it takes inside its maze, to find a flower at its center. 




&#60;img width="2710" height="3678" width_o="2710" height_o="3678" data-src="https://freight.cargo.site/t/original/i/1d7bf7768776e347fa27b737e0b396ab791f4d013770fc5e5b618b53411641f3/Sofia-Clausse-Pressed-Flowers-1.jpg" data-mid="88870056" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/1d7bf7768776e347fa27b737e0b396ab791f4d013770fc5e5b618b53411641f3/Sofia-Clausse-Pressed-Flowers-1.jpg" /&#62;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#60;img width="3637" height="3699" width_o="3637" height_o="3699" data-src="https://freight.cargo.site/t/original/i/556160323483d93d6002326bd00bb6237d47ac7ebd6cecd4ec3290e66c207108/Sofia-Clausse-Pressed-Flowers.jpg" data-mid="88870607" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/556160323483d93d6002326bd00bb6237d47ac7ebd6cecd4ec3290e66c207108/Sofia-Clausse-Pressed-Flowers.jpg" /&#62;












&#38;nbsp;



Notes about three of my pieces in the show re:assembly at Nationale, Portland.
The paper tapestry, paper dishcloth, and sketchbook are works exploring my current interest in textile objects and techniques.&#38;nbsp;All these pieces use paper as the main material, and parallel lines as a constant gesture. These lines are developed from marks generated by custom-made tools, and as a result of my background and research on letterforms in typography. 
Paper Tapestry #2 explores different possibilities of what lines can be and can do; the black lines are like images of threads in woven materials, which combine to create a surface, which when cut becomes dimensional. The tassels are made from leftover scraps of paper used when making the piece. 


	&#60;img width="3755" height="5570" width_o="3755" height_o="5570" data-src="https://freight.cargo.site/t/original/i/107d533019ac104a94ce63d836a0ea87d20ec3bd991fe7f63ab292c3bebbbb02/PaperTapestry2.jpg" data-mid="81628273" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/107d533019ac104a94ce63d836a0ea87d20ec3bd991fe7f63ab292c3bebbbb02/PaperTapestry2.jpg" /&#62;
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In the book Lines by Tim Ingold, he explains the relation between lines and the surfaces on which they are drawn. Threads can turn into traces and vice versa, and&#38;nbsp; through the accumulation of transverse lines, surfaces are formed.&#38;nbsp;

	&#60;img width="1132" height="1624" width_o="1132" height_o="1624" data-src="https://freight.cargo.site/t/original/i/2a3342fbef9b45bb13a138a4bf8f124da5d064d97c3053d642805735a84d50c7/TimIngoldLines.jpg" data-mid="81629455" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2a3342fbef9b45bb13a138a4bf8f124da5d064d97c3053d642805735a84d50c7/TimIngoldLines.jpg" /&#62;
	&#60;img width="2353" height="3848" width_o="2353" height_o="3848" data-src="https://freight.cargo.site/t/original/i/ba1b9ddd1881c88d0f913f6917a42e1f5d4139c234e930ce26da6f84c77dca19/TimIngoldLines-2.jpg" data-mid="81637371" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/ba1b9ddd1881c88d0f913f6917a42e1f5d4139c234e930ce26da6f84c77dca19/TimIngoldLines-2.jpg" /&#62;
	&#60;img width="2392" height="3845" width_o="2392" height_o="3845" data-src="https://freight.cargo.site/t/original/i/5afc4ab3911a1067daa363da0d44e6dc77c34d286795da200ad269a5b2c1d3e1/TimIngoldLines-1.jpg" data-mid="81637370" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/5afc4ab3911a1067daa363da0d44e6dc77c34d286795da200ad269a5b2c1d3e1/TimIngoldLines-1.jpg" /&#62;



︎
There's a conscious economy of material in this piece, by using thin newsprint paper that is cheap to produce and easily recyclable. I'm interested in reversing an established hierarchy of values, whether it is in the material, in the color, or in the technique. I also want to create from limited means and this being enough, a similar economy of material which is also seen in quilting. The thin horizontal and vertical strips that join the four pieces together in Paper Tapestry #2 are a nod to back-strap weaving. When weaving with a back-strap loom, the weaver's body determines the size of the loom, which then determines the size of the textile. This play between body-loom-textile is similar to that between gesture-tool-form which I am interested in with typography. I have some Guatemalan textiles that have a very colorful and elaborate joint sewn between pieces, which show off rather than hide what could be a size limitation. 
	&#60;img width="1588" height="1625" width_o="1588" height_o="1625" data-src="https://freight.cargo.site/t/original/i/68bf7322674a946dd0432b98b3b91778bc212bcc702b988d178178fbf2bd6f83/Chichicastenango3.jpg" data-mid="81636829" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/68bf7322674a946dd0432b98b3b91778bc212bcc702b988d178178fbf2bd6f83/Chichicastenango3.jpg" /&#62;

Chichicastenango tzute
	&#60;img width="1250" height="1200" width_o="1250" height_o="1200" data-src="https://freight.cargo.site/t/original/i/346c42bf0de221d0bd5650f5b4ddecb80761b6288b021c6a5e4a92428184539d/Chichicastenango2.jpg" data-mid="81636828" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/346c42bf0de221d0bd5650f5b4ddecb80761b6288b021c6a5e4a92428184539d/Chichicastenango2.jpg" /&#62;
Chichicastenango tzute



This conscious use and economy of material is also present in Paper Dishcloth, which was made during quarantine using newsprint as it was an easily available material. By recreating universal, everyday products like these cleaning rags, I'm reconsidering attention to humble textile objects. They hold a connection to home, yet are so universal in their design, pattern, and form, that they belong everywhere and nowhere.&#38;nbsp;


	&#60;img width="3870" height="4586" width_o="3870" height_o="4586" data-src="https://freight.cargo.site/t/original/i/9acc580387aa3c7e91c92596fed5b6278ff862133080436f7c5fe3dd95a77c1e/TrapoRejilla.jpg" data-mid="81628469" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/9acc580387aa3c7e91c92596fed5b6278ff862133080436f7c5fe3dd95a77c1e/TrapoRejilla.jpg" /&#62;
	&#60;img width="1263" height="1497" width_o="1263" height_o="1497" data-src="https://freight.cargo.site/t/original/i/6298cf75dc1e50ef606b0f7b4328711b2a13e4d94af1950005cea2f7628066ec/TrapoRejilla-detail.jpg" data-mid="81628618" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/6298cf75dc1e50ef606b0f7b4328711b2a13e4d94af1950005cea2f7628066ec/TrapoRejilla-detail.jpg" /&#62;


I like to browse through the dish towels and cleaning rags in my local corner store. As their stock ends and new stock comes in, they change brands and patterns, yet they're all similar in the way that they're so universal that they become invisible because of how ordinary and similar they are. Still, they have certain beauty in them, in their open weave, in their strength, and in their connection to home.

	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/6136cd1807e695b4fbb038af521d7eba703403a98d035a36fb77dd6406c4a4a0/IMG_1360.JPG" data-mid="81637912" border="0"  src="https://freight.cargo.site/w/1000/i/6136cd1807e695b4fbb038af521d7eba703403a98d035a36fb77dd6406c4a4a0/IMG_1360.JPG" /&#62;
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/805de70fefb348165454f129b7f0cac691d8945b1a87076ea79bbac898497bd6/IMG_2380.JPG" data-mid="81637913" border="0"  src="https://freight.cargo.site/w/1000/i/805de70fefb348165454f129b7f0cac691d8945b1a87076ea79bbac898497bd6/IMG_2380.JPG" /&#62;
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/08f06f711be3ca095ea326400f4471fc2f274ba683de7fbd4f7d287e88ddb453/IMG_2560.JPG" data-mid="81637914" border="0"  src="https://freight.cargo.site/w/1000/i/08f06f711be3ca095ea326400f4471fc2f274ba683de7fbd4f7d287e88ddb453/IMG_2560.JPG" /&#62;




In the sketchbook, I begin with a simple paper weave in black and white, which then goes through experimentations with color, pattern, and collage, interweaving ideas and testing possibilities for what paper and line could be.



	&#60;img width="2946" height="2946" width_o="2946" height_o="2946" data-src="https://freight.cargo.site/t/original/i/b43c8009c136e13dffa884e2e793414fab445dd7dd29f9e853617452227d3d12/Sketchbook1.jpg" data-mid="81628905" border="0"  src="https://freight.cargo.site/w/1000/i/b43c8009c136e13dffa884e2e793414fab445dd7dd29f9e853617452227d3d12/Sketchbook1.jpg" /&#62;
	&#60;img width="2936" height="2936" width_o="2936" height_o="2936" data-src="https://freight.cargo.site/t/original/i/d5a3bc7c211039adf1a83069e3c3d2fc5b517368e7737834cda80801aea7056d/Sketchbook2.jpg" data-mid="81628907" border="0"  src="https://freight.cargo.site/w/1000/i/d5a3bc7c211039adf1a83069e3c3d2fc5b517368e7737834cda80801aea7056d/Sketchbook2.jpg" /&#62;
	&#60;img width="2934" height="2934" width_o="2934" height_o="2934" data-src="https://freight.cargo.site/t/original/i/f9141ceaf5457f9314fd54952b3a91a4d4ebcba6a1f0704f5d50ba93f5e475f0/Sketchbook3.jpg" data-mid="81628908" border="0"  src="https://freight.cargo.site/w/1000/i/f9141ceaf5457f9314fd54952b3a91a4d4ebcba6a1f0704f5d50ba93f5e475f0/Sketchbook3.jpg" /&#62;














Sun and time as mark-making tools.


There are two artworks that striked me the most recently, in their simplicity and sensibility, and have remained with me since. One of these were Marie Lund's Stills, which I saw at the Weserburg Museum für moderne Kunst in Bremen. She took curtains from a house in Arizona which had been tinted by their exposure to the sun, and stretched them onto frames, showing the stains and bleaching left on the fabric. These highlights and shadows are marks made by sun and time, undisturbed by anything else. With these pieces she holds onto a moment in life and in a specific location, using materials that have been made with a gesture of their own.

&#60;img width="1021" height="681" width_o="1021" height_o="681" data-src="https://freight.cargo.site/t/original/i/e4eaff4fdd2584be7bf847b06095115905eed20c5dc97d1991a3a342336cb60a/croy_nielsen-marie_lund-weserburg-2020-installation_view.1200x0.1583498073.jpeg" data-mid="83341451" border="0"  src="https://freight.cargo.site/w/1000/i/e4eaff4fdd2584be7bf847b06095115905eed20c5dc97d1991a3a342336cb60a/croy_nielsen-marie_lund-weserburg-2020-installation_view.1200x0.1583498073.jpeg" /&#62;


The other artwork was Charbel-joseph Boutro's Sun Works, which I saw at Punta della Dogana in Venice. He shows a piece of newsprint with three rectangles inside one another in different tones of yellow. The paper had been exposed to the light in Beirut, where he's from, over one, two, and three consecutive days.


	&#60;img width="1197" height="1051" width_o="1197" height_o="1051" data-src="https://freight.cargo.site/t/original/i/596980b8492ed45521f16af749c7138927713861dacb4fe6be666ae9e2c87654/IMG_9501.JPG.jpeg" data-mid="83341659" border="0"  src="https://freight.cargo.site/w/1000/i/596980b8492ed45521f16af749c7138927713861dacb4fe6be666ae9e2c87654/IMG_9501.JPG.jpeg" /&#62;
	&#60;img width="797" height="714" width_o="797" height_o="714" data-src="https://freight.cargo.site/t/original/i/7b353367bf0595b0f0b4fabbc36b9f36f969eec40b010368cd8313d23ed11148/62057861_10156335116227643_1292245871412379648_o-1.jpg" data-mid="83341696" border="0" data-scale="98" src="https://freight.cargo.site/w/797/i/7b353367bf0595b0f0b4fabbc36b9f36f969eec40b010368cd8313d23ed11148/62057861_10156335116227643_1292245871412379648_o-1.jpg" /&#62;



Both of these artworks attracted me in their simplicity and poetry. They're made with humble materials – curtains and newsprint – and have no other marks on them but the ones made from light and days. Sun and time are used as a mark-making tool, annotating the pieces with something ungraspable, which is a specific location and duration of a moment. The works are intimate, poetic, and enough. 










Now-here, now-there written by Inês Geraldes Cardoso


















Look:
this is what it feels like to be doubled. Mirrored. Multiple. Across. Listen:
there is a pulse to the petals, the snaking racetracks, the pressed stripes, the
hanging keys. Seen and read when juxtaposed, we find the latter speak: TIEMPO / SOY YOS. As if announcing, Time,
it is I; or even, I am time. But Sofía
Clausse’s ceramic keys not only fuse time and the self; the added “s” in her
misspelled “yo” (me) lets it be known that the individual is collective, while rendering
the self palindromic: read backwards, “yos” is being (“soy”, I am). Here is
Clausse’s singular talent: reversing, collapsing and compressing things upon
themselves to expand the order of the possible and undo the plausible. 


She asks
this undoing of her tools as well: how
can the printing press draw for me?  Her
practice exceeds limits by employing the constraints of a system, approximating
a mathematical logic of inputs and outputs as a means to do away with agency. The
machine operates the same way again and again, but what happens if the input
misbehaves? Clausse feeds it Pressed
lines (2021), a 7 metre-long painted strip of newspaper. Pressed, it becomes
an expanded volume of seemingly tangled strands; a cosmogenic burst, folded and
splayed to reveal the multidimensional potential of a single line. 


In her Jacarandá series, petals are first exactingly cut out of painted tissue paper, then fed
into the printing press to become pressed flowers. When flattened, they are
transformed into two-dimensional bouquets in Pressed flowers #1 (2020), or hang limply and cartoon-like in Blossom (2020), their vibrant colours defiant
in the face of material ephemerality in nature or art. Made during lockdown in
London in October 2020, the works evoke the bright purple and lavender petals of
the jacaranda trees that carpet the streets of springtime Buenos Aires, mirrored
across hemispheres and seasons in the rust-coloured foliage of the London fall.
These flowers are less memento mori and more experiments in simultaneity. Or further
from still lives and closer to chronotopes – a term literally translated as
“time-space” and coined by the literary scholar M.M. Bakhtin, to describe unique
configurations of time and space in narrative.
 True to Clausse’s
inversions of both time and space, the references in her practice often find
their way to her works retroactively. Synchronicities abound: she tells me of coming
across the lyrics of an Argentinian children’s song after she had made the
flower series. The song speaks of the sky – imbued with an automatism akin to her
printing press – drawing on the pavement with the tissue paper of the jacaranda. As though the making
reifies an existing connection in the universe: magical thinking that checks
out. Clausse deals in parallel realms, which she connects materially as well as
conceptually: the paper
strips in Pressed lines (2021) are
used again for the serpentine in Everything(2021), and offcuts from the tissue-paper flowers become the spidery stars that
stud the canvas. These are also collaged onto the pattern of Both near and far now the same time (2021).
Her works continue beyond themselves, linked through a circular production
process. Like matter itself, nothing is lost; for Clausse, things merely
shape-shift to become each other. 


This is
true of her Paper grid rags (2021). Subversively
mimetic, they are
woven out of thin painted newspaper strips – rags evacuated of use value and frayed
at the ends. Unlike sturdy everyday dishcloths, they are impossibly fragile. Sometimes
she hangs them quite literally by a thread. More recently one has been turned
up at the corner, revealing the inverse of its grid. And it catches stars too,
lodged in its tessellated pattern.
Suddenly the rag becomes an image of space-time: the mesh-like diagrams used by
physicists to visualise the multi-dimensionality of the universe. Time-space
and space-time collide in the cosmic vernacular of Clausse’s work, fusing to
generate forms, which are, in Bakhtin’s words, of “the most immediate reality.”1



In Ali
Smith’s How to Be Both, the
protagonist’s mother asks, “which comes first?...What we see or how we see it?”2 With Clausse, it is the two at once. Which is to say, her works are a practice in
being both. In her hands a flower is a supernova; a press is a drawing
instrument; a line is a labyrinth; a dishcloth is the universe; a petal is a
place transported across time; and a flower-lined pavement is the work of the
sky. Look: the leaves fall in London. Listen: The sky is drawing/ On the pavement / With the foam and tissue paper /
Of the jacaranda3.Now-here, now-there. 



- Inês Geraldes Cardoso


1 Bakhtin, Mikhail M. “Forms of Time and of the Chronotope in the Novel: Notes toward a Historical Poetics”.&#38;nbsp;Mikhail M. Bakhtin. The Dialogic
Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl
Emerson and Michael Holquist. 1981. Austin: University of Texas Press, 1990d. 84-258.







2 Smith,
Ali. How to be Both. 2014. London:
Penguin. 104.







3 Translated lyrics from the childhood song Jacarandáby the Argentinian poet, novelist, musician, playwright, writer and composer,
María Elena Walsh. Original lyrics: El cielo en la
vereda / Dibujando está / Con espuma y papel de seda / Del jacarandá.&#38;nbsp; 











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	<item>
		<title>Info</title>
				
		<link>https://sofiaclausse.com/Info</link>

		<pubDate>Mon, 31 Aug 2020 16:30:22 +0000</pubDate>

		<dc:creator>Sofía Clausse</dc:creator>

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		<description>Sofía Clausse (b.1989) is an artist originally from Argentina, currently based in London. She completed her BFA at the Rhode Island School of Design (2014), and the postgraduate program at the Royal Academy Schools in London (2022).

She mainly works with painting, paper, diagrams, and ceramics, to create a visual cosmos of her research into time, repetition, cycles, and language. Having come from a background in design, her process in the studio is influenced by tools, systems, symbols, typography, textiles, and a circular way of working with materials.

Central to her research are ideas of interconnection and spirituality, which she explores in her painting and diagrams. Her diagrams are a form of concrete poetry, in which she combines text, symbols, and lines to generate a new form of reading and expressing information. Her paintings of looping lines explore ideas of cycles, infinity, and repetition, and they act like a labyrinth where one can get intentionally lost in order to find oneself and one's path once again.
This interweaving and knotted line is similar to the path taken in the studio, in which all the works are connected as if through an invisible looping line, always on the quest to see where else it will go, and what else it will become.

Clausse follows a circular and alchemical way of production in the studio – in which leftover material, learnings, or processes transform and become the next. In this way, all of the works come together to form a visual cosmos, where symbols, words, lines, material, and thoughts are enmeshed in constellations of meaning, through which to learn, listen, create, and transform.



Contact:studio@sofiaclausse.cominstragram: @sofiaclausse



CV:


Solo exhibitions
2025
2023
	ETERNALRETURN at Cam Contemporarie, Chicago, USA. Link
Labyrinth at Municipal Bonds, San Francisco, California, USA. Link
2022
	Soft Water at Slugtown, Newcastle, UK. Link

Royal Academy Schools Show 2022 at Royal Academy of Arts, London, UK. Link


2021
	Now-here, now-there at Eve Leibe Galery, London, UK. Link
Along the lines at Kupfer, curated by Inês Geraldes Cardoso, London, UK. Link
Group exhibitions
2026
2025

2024

2023
	Good Eye Projects, Saatchi Gallery, London. UK. Link
Spring 2025 End of Residency Show, Good Eye Projects, London, UK.&#38;nbsp;Link

(Duo with Elli Antoniou) Morphic fields at Night Café Gallery, London, UK. LinkIn/Between/Ness: Women Tales from Latin America, curated by LATAMesa, at Somers Gallery, London, UK.
Hilo /'hilou/ at Cromwell Place, curated by Amalgama, London, UK. Link

2022
	Distortion &#38;amp; Dissonance at Where's the Frame, London, UK.


	2021
	Between the Lines at Grove Collective, London, UK.&#38;nbsp;Link
A New Art World at Guts Gallery, London, UK. Link

	2020
	Summer Exhibition 2020 at the Royal Academy of Arts, London, UK. Link(Duo with Vika Prokopaviciute) S.O.L. System of Language, at Eve Leibe Gallery.
re:assembly at Nationale Gallery, Portland, USA. Link Artists' Tools at Special Special Gallery, New York, USA. Link
Premiums Interim Projects at the Royal Academy of Arts, London, UK. LinkTextural Codes curated by Amalgama at Koppel Project Exchange, London, UK. Link

	



	2019
	LANDGRAB at The Shop at Sadie Coles HQ, London, UK.
Ginny Projects x Sinkhole Project at a fence in Museum Gardens, London, UK.&#38;nbsp;Link


Grants, Awards, and Residencies
2025
2023
	Residency at Good Eye Projects, London, UK.
Pollock-Krasner Foundation Grant
Residency at PADA Studios in Lisbon, Portugal.
2022
	Almacantar Studio Award and Prize
















André Dunoyer de
Segonzac Hon RA PrizeEaton Fund Grant
2020
	



















British
Institution Award
Royal
Academy Premiums Keeper's Prize
















The Leverhulme Trust Bursary
and Scholarship Fund











2019
	
















Louis Roederer et
Philippe Starck Award and Prize




Sir
Frank and Lady Short Award
Ernest Cook
Fund Bursary








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